Leonard and Anne drive along the lovers' road to Dover, intending to embark for Calais and go to Paris. The car breaks down and Saunders takes them to a nearby hotel, which turns out to be a residence with servants, owned by a Mr. Latimer.
Oyin Clegg (Ade Laoye)—a 35-year-old marketing executive with a Lagos-based firm—is a successful career woman, but her personal life causes concern for her meddling mother (Tina Mba). Although she indulges in one-night stands with eligible men on standby, Oyin is yet to find a suitable partner despite persistence from her boss Ossy (Charles Etubiebi), the seemingly perfect man with whom Oyin fails to connect. She is ecstatic when the firm announces their collaboration with Yomi Kester-Jacobs (Paul Utomi), heir to a thriving business empire, but is enraged after the firm denies her the opportunity to travel to the United States for a…
Struggling young actress Jenny joins her dad when he moves into Aunt Hetty's boarding house. Aunt Hetty overworks them, but Jenny is lucky enough to find love in the form of aspiring songwriter Tom. But their romance is threatened and nearly destroyed by Margie, the jealous star actress of the local pierrot troupe.
As described in a review in a film magazine, at a reunion of a bachelors' club the five remaining members are shocked at the defection of one of their number, who pays his forfeit to get married. Another receives a letter that his chum, about to die, has left him his little girl, and the other three are persuaded to also adopt war orphans. Robert Audrey finds his in an eighteen-year-old girl, Ruth; old James Crockett, who grudgingly accepts a boy, really gets a little girl, while Allen finds three boys, triplets, have been awarded to him.
Femi (Wale Ojo), a single dad falls in love with Jessica (Iri Doyle), who is a single mother. The couple fall in love through their children, and it ensures there is a battle for love, family and friendship. In fact, Jessica is the music teacher of Femi's son Jason (Alvin Abayomi) and it causes a conflict of interest between the father and son.
Gary Martin is a struggling artist living in the Venus de Milo Arms, a shabby apartment building in Greenwich Village. Another tenant, Mary Wilson, is also having trouble keeping up with her rent. The two do not know one another, but building manager Eli West arranges for them to live in the same basement apartment, him by day and her by night, at a reduced rate so he can re-rent Mary's apartment to the paying Ghonoff brothers, a Russian acrobatic team.
The film narrates the story of Mrs. Badmus who owns a multimillion business empire, but her son Olumide is very wayward and is not interested in running the business. Mrs.
Nelson Hodge is a lower class painter with undiagnosed Asperger syndrome who is immersed in completing a triptych of emotion paintings. Sadie Mitchell is attempting to get her life back in order while sacrificing in most areas of her life. The two meet by chance and engage in an awkward romance that starts to bring their flaws to the surface.
In Paris, nightclub entertainer Jeanne falls in love with her dance partner, the idle, womanising Marcel. When Marcel runs off with rich and glamorous film star Norma, Jeanne's true love Pierre comes to her aid, and helps find her work on the radio. After becoming a successful radio star, Jeanne becomes attractive once more to Marcel, but the faithful Pierre cannot risk losing her again.
As described in a film magazine, Babs is sent home from boarding school because she persists in carrying out her fanciful love researches instead of studying her lessons. Continuing these experiments at home, her father, the influential and stern John Hardcastle, punishes her by sending Babs to stay with Aunt Emily in Boston instead of taking her to Palm Beach. However, in Boston Babs finds fertile ground for her experiments.
A wealthy man dresses up as Napoleon for a fancy dress ball, but is instead detained in a lunatic asylum where they suspect him of having delusions of grandeur.
A very expensive necklace known as the "Czarina's Tears" is stolen from Phelps' jewelry shop. The next morning, Phelps (Granville Bates) goes to see insurance company manager J. W.
Barbara Blanchard, the daughter of rags-to-riches divorced oilman Jim Blanchard, is going to marry Count Michael Montaine. When Jim receives a telegram from the count insisting upon a settlement of $500,000 before the marriage, he sends word of this to Barbara. However, the radiogram reaches her just after the wedding has taken place.
Big Ain't Bad is a romantic comedy that redefines the measure of love. Ric (Blakemore) and Natalie (Dixon) are a happy young couple headed towards marriage after a brief courtship. However, when Natalie makes an early return home from a business trip and finds her trusted mate in the company of last night's entertainment, the relationship abruptly ends leaving them to travel separate roads to self-discovery.
Heiress Carol Rogers returns from a long overseas vacation to learn her father has died and saddled her with a mountain of debt. To keep her creditors at bay, her Aunt Jane and pal Waldo contrive to get her hired as an assistant to wealthy coffee magnate Fuller Partridge, hoping it will lead to love and eventually marriage. Unfortunately, the plan is beset by obstacles, especially when a bumbling hypnotist hired to put a romance spell on Carol misses and casts it on Aunt Jane instead.
A seemingly innocent woman becomes involved in the netherworld of massage parlors in this drama. Maya (Kerry Liu) is a young East Asian woman who arrives one day at a seedy massage parlor in a run-down neighborhood in Los Angeles. Dressed in shabby clothes and speaking in broken English, she asks Mamasan (Tomiko Lee), who runs the parlor, for a job, and Mamasan immediately puts the attractive Maya on staff.
A playwright meets a young woman and she soon files a fake breach of promise action against him, hoping to receive a blackmail payment. Instead he decides to marry her to teach her a lesson.
In a small town in Virginia, Barbara Kent, is being forced into a marriage with a missionary reformer by her socially prominent parents. Kent meets Robert Armstrong, a prizefighter, and falls in love with him. Armstrong's manager, played by James Gleason, tries to dissuade Armstrong from the relationship.