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Faces of Death (1978)

105 min · Arranged Documentary, Mondo film, Shockumentary, Splatter Film, cannibal film, documentary film, exploitation film, horror film, snuff film

Popularity5/5
12-month trend185k32kExpand

12-month trend

Monthly article views

185k02025-09: 42,468 views2025-10: 40,509 views2025-11: 32,086 views2025-12: 34,727 views2026-01: 53,451 views2026-02: 66,085 views2026-03: 95,877 views2026-04: 185,208 views2026-05: 66,641 views2026-06: 37,239 views2026-07: 46,315 views2026-08: 32,992 views
Sep42kOct41kNov32kDec35kJan53kFeb66kMar96kApr185kMay67kJun37kJul46kAug33k

2025-09 to 2026-08

The story

Presented as an actual documentary, the film follows pathologist Francis B. Gröss as he explores the transition between life and death. Having become desensitized to the macabre through his professional work, Gröss compiles a variety of footage to examine the different 'faces of death.' The film presents a series of segments including real and staged footage of various fatalities, ranging from animal attacks and human crimes to historical atrocities and medical procedures. The narrative serves as a clinical, analytical exploration of mortality, intended to provide a broader perspective on the ways in which life ends.

Full plot (contains spoilers)

After performing an autopsy, pathologist Francis B. Gröss explains his interest in the transition between life and death, driven by recurring dreams and his professional desensitization to gore. He presents a compilation of footage showcasing various deaths: a man killed by an alligator, a series of assassinations, and a violent police standoff involving a murderer. The film moves into medical settings where a coroner embarks on the process of embalming, followed by a segment on cryopreservation. The narrative then shifts to historical atrocities, including the Holocaust, and the impact of environmental pollution. It explores 'the more horrific nature of man' through segments on a snake cult and a cannibalistic cult. The film concludes with a look at supernatural forces, where Gröss consults with a man who believes his family's spirits remain in his home. After a parapsychologist investigation, Gröss concludes that the soul is a traveler that remains after death, ending the film with peaceful music and images of a newborn baby.

First release year
1978
Runtime (minutes)
105
Production countries
United States
Original languages
English
Directors
John Alan Schwartz
Writers
John Alan Schwartz · writer
Cast and characters
Michael Carr · Francis B. Gröss; Samuel Berkowitz · Victim (uncredited); Mary Ellen Brighton · Suicide Victim (uncredited); Thomas Noguchi · Chief Medical Examiner Coroner (uncredited); John Alan Schwartz · Cult Leader (uncredited); Vern Stierman · Narrator (uncredited)
Genres
horror; mendo; documentary; exploitation
Themes
mortality; desensitization; supernatural; human nature
Tone and mood
clinical; eerie; shocking
Setting
Various locations including a medical facility, a coroner's office, and historical sites.
Premise and plot tags
mockumentary; compilation; gore
Content notes
animal cruelty
Reception
The film received generally negative reviews from critics but was a success at the box office, becoming a cult classic.
Reported review scores
Rotten Tomatoes · score: 23% · scale: percentage · review count: 13
Production trivia
Approximately 60% of the film used real footage from news stations and medical researchers.
Catalogue themes and tags

Dead Animal, Doomed Man, Frauenleiche, Sekte, Selbstmord, Sterben

Film metadata comes from the open sources listed in Credits & Contact. Catalogue details may be incomplete.

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