L'uomo di vetro (2007)
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Directors
Cast
David Coco, Tony Sperandeo, Anna Bonaiuto, Antonino Bruschetta, Tony Palazzo, Ilenia Maccarrone, Elaine Bonsangue, Francesco Scianna, Maurizio Nicolosi, Mario Re
A young Mafia insider in 1970s Palermo attempts to expose his clan, but his revelations are dismissed as the ravings of a madman.
The story
At the beginning of the 1970s, Leonardo “Leuccio” Vitale is a young member of a powerful Palermo Mafia clan, initiated into murder by his uncle. He commits robberies and killings while maintaining an outwardly ordinary life with his mother and sister, a girlfriend, and a sports car. After reluctantly lending his car to friends for a kidnapping, he is identified and imprisoned. Remorse and a deteriorating mental state follow. Upon his release, Leuccio withdraws at home, but after a moment of apparent recovery he goes to the police and begins revealing what he knows about the Mafia’s hierarchy, murders, and political connections. His account, however, is not believed.
Full plot (contains spoilers)
It is the beginning of the 1970s. Leonardo, known as Leuccio Vitale, is a young man from Palermo who belongs to a powerful Mafia clan led by his uncle, Giovanbattista Vitale, who initiated him into murder when he was barely a teenager. Bold and determined, the young man commits robberies and murders, but on the other side of the law he leads an entirely ordinary life: he lives with his mother and sister, has a beautiful girlfriend and a sports car, a Lancia Fulvia. It is precisely because he reluctantly lends the car to some friends to carry out a kidnapping that Leuccio is identified and imprisoned. In prison, the young man is tormented by remorse, which soon takes a toll on his nervous system: he begins to suffer violent convulsions, commits acts of self-harm, and is plagued by mystical visions that denounce him as “guilty” and “impure.” Things do not improve after his release: despite the evidence that he had nothing to do with the crimes, Leuccio shuts himself away at home, and neither his uncle’s nor his female relatives’ reassurances are any use. In a moment of apparent “recovery,” after meeting his girlfriend, he decides to spill everything. He goes to the police station and into the office of Deputy Commissioner Bruno Contrada, and begins to reveal everything he knows: the Mafia bosses’ chain of command, responsibility for the murders, ties between Mafiosi and politicians, prominent names, and so on. But because of the chilling clarity of the facts—and especially because of his semi-altered state—Leuccio is not believed. Instead, he is branded “mad” and locked up in a psychiatric hospital, where he will live through (brief) periods of lucidity, during which he cooperates with the justice system (which, during interrogations, merely has him repeat the same story over and over), and increasingly violent episodes. He eventually burns everything in his cell and cuts open his abdomen. Meanwhile, because of his statements, his cousin and uncle are murdered. A closing caption, over a photograph of the real Leonardo Vitale, states that in 1984, after being discharged from the hospital, Leuccio will be murdered as he leaves a church.
Genres
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