Mishima: A Life in Four Chapters (1985)
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2025-09 to 2026-08
A biographical drama interweaves the life of Japanese writer Yukio Mishima with dramatizations of his most famous novels.
The story
The film begins on November 25, 1970, the last day of Yukio Mishima's life, as he prepares to meet with four loyal followers from his private army, the Tatenokai. Through a series of flashbacks, the narrative explores Mishima's progression from a sickly boy to an acclaimed post-war writer. It depicts his transition into a man of muscular discipline and extremist traditionalism, fueled by a loathing for modern materialism. The biographical sections are interwoven with dramatizations of three of his novels, segmented into four chapters: Beauty, Art, Action, and Harmony of Pen and Sword.
- First release year
- 1985
- Runtime (minutes)
- 120
- Production countries
- United States; Japan
- Original languages
- English; Japanese
- Directors
- Paul Schrader
- Writers
- Paul Schrader · writer; Leonard Schrader · writer
- Genres
- biographical drama
- Themes
- masculinity; extremist traditionalism; materialism; art and violence
- Tone and mood
- avant-garde; stylized; ritualistic
- Premise and plot tags
- biographical; LGBTQ-related; fascism; suicide
- Source material / true-story basis
- The life and work of Yukio Mishima, including his novels The Temple of the Golden Pavilion, Kyoko's House, Runaway Horses, and Confessions of a Mask.
- Content notes
- homosexuality
- Reception
- The film received universal acclaim on Metacritic and was praised for its avant-garde structure, production design, and score. It was also recognized as a 'triumph of concise writing and construction' by Roger Ebert.
- Reported review scores
- Metacritic · score: 84 · scale: 100 · review count: 15
- Production trivia
- The film was not officially screened in Japan until 2025.; The title role was originally intended for Ken Takakura, but he withdrew due to pressure from ultranationalist groups.; The film's production met with controversy due to Mishima's status as an icon among Japanese ultranationalists.
Film metadata comes from the open sources listed in Credits & Contact. Catalogue details may be incomplete.
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