The Gallerist (2026)
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2025-09 to 2026-08
A gallerist's attempt to launch a new artist's work spirals into a high-stakes whirlwind of the art world's ruthless machinery.
The story
Preparing for her Art Basel premiere, gallerist Polina Polinski hosts an early look for art influencer Dalton Hardberry to review emerging artist Stella Burgess. Dalton rains hate on Polina, Stella, and the entire gallery until he encounters the centerpiece — a large-scale sculpture entitled "The Emasculator". The "hyperrealist work" goes viral, attracting legendary dealer Marianne Gorman, who revs up the ruthless machine of the art world.
Full plot (contains spoilers)
Preparing for her Art Basel premiere, gallerist Polina Polinski hosts an early look for art influencer Dalton Hardberry to review emerging artist Stella Burgess. Dalton rains hate on Polina, Stella, and the entire gallery until he encounters the centerpiece — a large-scale sculpture entitled "The Emasculator". The "hyperrealist work" goes viral, attracting legendary dealer Marianne Gorman, who revs up the ruthless machine of the art world.
- First release year
- 2026
- Runtime (minutes)
- 94
- Production countries
- United States
- Original languages
- English
- Directors
- Cathy Yan
- Writers
- James Pedersen · writer; Cathy Yan · writer
- Cast and characters
- Natalie Portman · Polina Polinski; Jenna Ortega · Kiki Gorman; Sterling K. Brown · Tom; Zach Galifianakis · Dalton Hardberry; Da'Vine Joy Randolph · Stella Burgess; Catherine Zeta-Jones · Marianne Gorman; Daniel Brühl · a wannabe art collector; Charli XCX · Alex
- Genres
- dark comedy; thriller
- Themes
- art world critique
- Tone and mood
- dark comedy; thriller
- Premise and plot tags
- art world; social media
- Reception
- The film received mixed reviews, described as a "playful satire" by Vanity Fair, but also called "clumsy and inert on screen" by The Hollywood Reporter and "a major stumble" by The Guardian.
- Reported review scores
- Metacritic · score: 48 · scale: 100 · review count: 12
- Production trivia
- The film was financed by MRC.; Principal photography wrapped on February 6, 2025.
Film metadata comes from the open sources listed in Credits & Contact. Catalogue details may be incomplete.
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