In remote parts of Nepal parents are sending their children to a school run by Buddhist monks in Kathmandu, capital of Nepal hoping to give them a better life. For about ten or more years the children's do not see their parents nor speak to them. Three students including Nima, Sangpo, and Tsering trek back to Himalayas their parents are waiting for them to be raised on the world of technology.
Filmmaker brothers Ben and Orson Cummings document the 2015–2016 season of the Bridgehampton School boys basketball team, locally referred to as the Killer Bees. The film reveals the real-life story of hope and hardship within the community.
The film documents the 2003 season of the Boston Red Sox, beginning with their annual spring training and culminating in the American League Championship Series. The documentary also looks into the team's fandom, as well as the team's interactions with their fans.
The film covers the Uffizi, a museum in Florence with more than 500 rooms, based on the House of Medici's collection of paintings. Attention is given to the institution's staff, including Eike Schmidt, a German art historian who became its director in 2015.
The documentary generally portrays the band by uncommon insight into their double-tracked lifestyle in an ironical and satirical way, not to discredit them but to reveal the common issues of a rock band and the often-stereotyped musical genre they are attributed to (stoner rock). Some scenes are visibly based on the artwork of the Truckfighters Mania record, which was also designed by the filmmakers Joerg Steineck and Christian Macijewski. The film has a total runtime of 83 minutes and is subdivided into 9 chapters: Common How To Get Things Done Road Home Issues The Body Burden Family Fights Big The Drummer Dilemma
A summary by the National Library of Australia describes the documentary as: [Revealing] the often hidden history of Aboriginal Australians from white settlement to the present. The central issue throughout the film is differing perspectives of the land and its uses, providing historical background to the present land rights movement and other areas of Aboriginal activism. Pilger concludes the documentary by stating that: “It seems to me that, until a committed policy of reconciliation, of real nationhood, is offered to the First Australians, those who came recently can never claim their own.”