Climate Hustle challenges the scientific consensus on climate change, arguing that the consensus is overstated and part of an "environmental con job being used to push for increased government regulations and a new 'Green' energy agenda". It offers a series of segments which present arguments that function to cast doubt on aspects of the consensus, pointing to perceived inconsistencies, errors, and political hypotheses. Sections include interviews and commentary by Morano.
thumb|right|Janet Jagan in later life A Jewish girl from Chicago, she grew up to become president of Guyana; a South American nation. Janet Rosenberg Jagan, pegged "the Second Eva Peron", in an effort to explain how her typical Jewish upbringing led to her out-of-the-ordinary adult life pursuing service work and Marxist politics in Latin America. "I don't know that people see White when they look at me," Janet said in an interview, believing that her years in Guyana allowed her to resemble the general population.
Hotline explores telephone hotlines throughout the United States. Among those profiled Brad Becker of the GLBT Hotline, Youree Dell Harris (aka Miss Cleo, formerly of the Psychic Readers Network), and the Homework Hotline in Nashville. Additionally, the telephone volunteers at the Anti-Violence Project are profiled, as are Alan Ross of the Samaritans in New York, crisis counselor Jamie Blaine of Nashville, Pastor Brent Furlong of Go Time Ministries in Pennsylvania, and Tonya Jone Miller of the Bay City Blues sex-line in Portland, Oregon.
Hadleigh-West turns her camera on men throughout the United States, asking them why they whistle at or make comments at women who pass them on the street. In response, some men feel compelled to apologize, hit her, yell at her, or engage her in conversation. "Through these conversations, Hadleigh-West reveals the anger, fear and frustration as well as the affection, admiration and humor that characterizes relationships between men and women."
The film first looks at Grigori Alexandrov, a director who made his career in the 1930s musicals. He directed the unlikely hit Jolly Fellows (1934), which had the backing of Maxim Gorky and the personal approval of Stalin. Alexandrov went on to create other propagandistic musicals, including Volga, Volga (1938), which details the story of peasants who boat to Moscow on the River Volga to become singers.
The film profiles Ontario Place, the Toronto waterfront park and entertainment venue currently embroiled in a major controversy around proposals to redevelop it into a private for-profit spa and waterpark.
The basic tenet of GhettoPhysics is that the Pimp/Ho game is the fundamental expression of how people interact in the world. But this interaction is so multilayered and can become so complex that it is hard to see the game. However, by looking at the world using the Pimp/Ho dynamic, it becomes very easy to see the manipulations that keep society's Hos forever in debt, disempowered or marching off to war, while society’s Pimps remain rich, powerful, and in control.
With event footage, bull riding, pyrotechnics, and big arena rock and roll, The Ride goes through the lives of professional cowboys on the Professional Bull Riders circuit. The circuit is a tour of the top 45 bull riders in the world, consisting of roughly 32 stops a year around the US. The winner of the world title in Las Vegas also wins a million dollars.
Michael Lucas interviews various LGBT advocates in Moscow, Russia. Topics include homophobia in Russian society, gay bashing, the Russian LGBT propaganda law, and Vladimir Putin's administration.
Holy Wars is mostly filmed from the perspective of two missionaries, Khalid Kelly and Aaron Taylor. The film takes a look at the religious fundamentalism in Pakistan, Lebanon, United Kingdom, and the United States as well as the decades long conflict between Islam and Christianity. The film features several interviews, including one with author Sam Harris.
Three boys, Tony, 13, Diosel, and Bunso, 11, are struggling to survive in a crowded Cebu Provincial Detention and Rehabilitation Center in Cebu, alongside adult rapists and murderers. The two street-smart boys paint a picture of the world of children caught between extreme poverty and the law.
The film follows several attendees of the annual White Party in Miami, Florida. The major subjects are: Tone, a 21-year-old from Dallas, Texas. Tone has attended several previous circuit parties and has gotten in trouble with out of control recreational drug usage.
The film begins with an introduction by Tracy Worcester in which she reflects upon the role that the countryside and small-scale farms have had on her personal and family life. She proceeds to argue that this cultural heritage is under-threat from large-scale corporations that, driven by profit maximization, have replaced traditional farming with a system that treats animals as a mere raw material or input in an industrial system. Worcester narrates the history and development of these large-scale corporations through the anti-competitive practices of vertical and horizontal integration.
The film tracks chronologically through Morrison's life, emphasizing the connections between their life and their writing. It follows Morrison's development from being a shy and sometimes depressed teenager with an obsession for comics, through their years of explosive self-realization in the 1990s, ultimately leading to a happy and well adjusted married life in Scotland contemplating the future.
