Herr Zwilling und Frau Zuckermann (1999)
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A young man’s nightly visits to a 90-year-old woman offer a portrait of the last German-speaking Jews in their city.
The story
Scenes of Jewish everyday life in the city center on Mathias Zwilling, who visits 90-year-old Rosa Roth-Zuckermann every evening. They are among the last remaining German-speaking Jews there. Their conversations touch on present-day problems, including unpaid wages and pensions and large-scale emigration, as well as a difficult past. The film also observes daily life at the Jewish cultural center, school, and cemetery, alongside ordinary scenes around the city. Residents speak, converse, and sing in several languages; without commentary or background music, everyday sounds accompany this portrait.
Full plot (contains spoilers)
Scenes from everyday Jewish life in the city are shown. The protagonists are the younger Mathias Zwilling, who comes from respected families in the region, and 90-year-old Rosa Roth-Zuckermann, whom he visits every evening. They are among the last remaining German-speaking Jews in the city. They talk about the present and its problems, such as the unpaid wages and pensions of many residents and the large-scale emigration, as well as the difficult past, when Mrs. Zuckermann lost her entire family within a few days. We see life at the Jewish cultural center, the Jewish school, the Jewish cemetery, and everyday scenes in the city. The residents’ brief statements, conversations, and songs—in Ukrainian, Russian, Yiddish, Hebrew, Hutsul, English, French, and Romanian—are not translated, lending the film a particular authenticity. The film is shaped by the restrained approach of filmmaker Volker Koepp and the careful camerawork of Thomas Plenert, which moves slowly through the winter landscape and everyday scenes, creating memorable images. There are no commentaries or background music; the soundscape consists solely of the everyday sounds captured during filming.
Genres
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