Tatarak (2009)
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Directors
Cast
Krystyna Janda, Pawel Szajda, Jakub Mazure., Jan Englert, Jadwiga Jankowska-Cieślak, Julia Pietrucha
A doctor’s wife, unaware that she is terminally ill, is drawn to a young outdoorsman she notices beside a river.
The story
The film opens with Krystyna Janda speaking about her husband Edward Kłosiński’s death, then shifts to the set, where she and Andrzej Wajda read Iwaszkiewicz’s story. The story follows Marta, a doctor’s wife whom her husband examines but does not tell that she is terminally ill. Beside a river, Marta notices Boguś, a handsome young outdoorsman who is already involved with Halinka. Drawn to his naturalness, Marta begins meeting him regularly. While her husband keeps her diagnosis from her, Marta’s growing interest in Boguś forms the story’s initial tension.
Full plot (contains spoilers)
The film opens with a monologue by Krystyna Janda about her husband Edward Kłosiński’s death. She is in a bare room with a bed and a chair. During the monologue, the film shifts perspective to the film set, where Andrzej Wajda and Krystyna Janda read Iwaszkiewicz’s story together. The film then flows into the story itself, about Marta, the wife of a doctor, who is examined by her husband. Marta is terminally ill and will not live through the summer. Her husband, who is also her doctor, does not tell her the diagnosis. During a conversation with her friend on the bank of a river, Marta spots Boguś, a handsome young outdoorsman. Boguś is in a relationship with the young Halinka. Marta now meets regularly with the young man, who is not very well educated and whose naturalness attracts her. At a get-together to swim in the river, Boguś drowns. Marta, who had already lost her two sons in the Warsaw Uprising, loses another young person—too soon for a closer relationship to have developed. The film returns once more to Krystyna Janda in private. She talks about the day her husband died. He died on January 5, 2008, at 3:10 p.m. That evening, the actress was back on a theater stage. The film ends with the dedication, “For Edward Kłosiński.”
Genres
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